Quentin Tarantino talks with Asahi Newspaper journalists about his new film ‘Inglorious Bastards’.
As a child, he used to love playing with GI Joe dolls.
“But I never played ‘war’ with them. I used to re-enact films that I had seen. If I saw a trailer for a film that looked interesting, I would also often imagine the whole plot (using my GI Joe dolls).
Film crazy ‘Little Q’, as he was known as a boy, now does the same thing using real actors. ‘Jackie Brown’ was a black film, ‘Kill Bill’ was Kung Fu, ‘Grindhouse’ was B-grade action. Each of his films are expressions of love for films that have inspired him.
In his new film ‘Inglorious Bastards’, he combines a war film with a spaghetti western. An American army colonel with Apache blood leads a group of Jewish troops against the Nazis.
“Nowadays war films always focus on the hardship of the victims – but it never used to be like that. War films used to be like adventure stories. I began to want to watch those old classics.
His starting point is always the desire to ‘make a film that I want to see’. “The Jews and the Apaches are a resistance force sworn to take revenge” – the comment highlights the mix of genres within his new piece. The films grew to a ridiculous length at first as I tried to get everything I like in there – it could have been a TV mini series for a while back there.”
“I found the way forward when I hit upon a heroic figure who appears in Nazi propaganda films.”
The sub-text of the film is a fight for recognition in Hollywood – US forces against Nazis, a cinema manageress who escaped from the Holocaust vs. the Nazis. The English army man who sympathizes with the US military is represented by the film critics, the spies are beautiful actresses. The explosion of destructive force in the closing scenes celebrates the Jewry who escaped from the Holocaust to Hollywood and became masters of their art.
The music to the film is a collection of pieces from the soundtracks of old films. The film’s theme tune which plays at the opening is ‘The Alamo’ and Tarantino came across it in a record store in Shibuya, Tokyo.
“In fact, I’ve never seen the film, but I knew the song from Kung Fu movies. The tune playing in the Bistro in Paris is also one from an album that I found and bought in Tokyo.”
The screenplay was written at home with various music playing in the background. Music is a kind of memory for the young boy who loves films.
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Quentin Tarantino – born 1963, left school in Los Angeles at 16. While working in a video store he started writing screenplays. He made his debut in 1992; in 1994 “Pulp Fiction” won him the Palme D’Ors at the Cannes Film Festival and a US Academy award.